Their facial animations are the best in any console game to date.Īs the story feeds you bits and pieces of how Jodie and Aiden grew up, each event helps to explain the later scenarios.
You can see freckles, moles, and other tiny blemishes on their faces, right down to the pores. Academy Award nominees Ellen Page and Willem Dafoe bring the characters to life in staggering detail. While the gameplay is relatively simple, the graphics are anything but. This simple gameplay mechanic – merely hitting a button – changes everything within a chapter, even if it takes a replay to realize it. There is no right or wrong, but both choices cause the rest of the chapter to play out differently.
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Jodie prevails either way, but the details in getting there make Beyond what it is.īranching dialogue trees give players more opportunity to deviate from the path with two to four options on how to respond for instance, telling the truth or lying. Alternately, if you do make it into the nearby town, you will face off against the SWAT team in a sequence where you control Aiden instead of Jodie. That scenario will cut to a scene where you must escape from custody. If you run into the tree, it might slow you down and the SWAT team may catch you and arrest you. Unlike most games that feature quick-time events like these, there is no failure in Beyond. The next obstacle may require you to slide by pressing down when prompted, another might flash a specific button for you to repeatedly mash. She may approach a downed tree, prompting the game to momentarily slowdown, which is your cue to react – in this case by pressing up on the right thumb stick. In one chapter, Jodie runs from a SWAT team (for reasons best left unexplained here) and escapes into a forest. You’ll also encounter a number of quick-time events. Though you control each character’s movement, the gameplay often forces you in one direction, which can feel awkward. It’s a limited freedom, and like Jodie, only certain items – signified by a white dot for Jodie or a blue on for Aiden – can be interacted with.Īcademy Award nominees Ellen Page and Willem Dafoe bring the characters to life in staggering detail. Some doors Aiden can float through to reconnoiter, while others are impassible. You can’t just possess a person, you can only possess very specific people that you use for very specific purposes. Aiden’s abilities to interact are only available when it benefits the story. He can also interact with items and knock them over, choke people unconscious, and possess them – when the story dictates. Aiden can move more freely than Jodie, but the two are tethered, limiting his range. Each of its 26 chapters starts in the same place, regardless of what you did in the last.īoth Jodie and Aiden are playable characters, and you can switch between them at almost any time. Unlike The Walking Dead, where any choice could have massive and usually unforeseen ramifications later in the game, choices made in Beyond only affect a segment of the game.
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It would be easy to call it an interactive movie and be done with it – and there is some truth to that – but that also undervalues what Beyond is. Like The Walking Dead, Beyond is less concerned with gameplay mechanics and controls than it is in creating a gaming experience. Considering how many awards that game one (including our own Game of the Year), that’s not a bad thing. But a more accurate comparison would be to Telltale’s episodic The Walking Dead. But the path between the two is complicated and nuanced.Ĭomparisons to Heavy Rain, developer Quantic Dream’s previous choice-based crime game, are inevitable.
The earliest you see Jodie is as an awkward 8 year old, while the latest has her as a CIA trained operative. One chapter you may see her as a rebellious teen, the next chapter might jump backwards to her childhood. The player experiences a 15-year period of her life, presented non-chronologically. In the Quantic Dream’s latest interactive drama, Ellen Page portrays protagonist Jodie Holmes, a woman locked to a spirit named Aiden, who is both her best friend and occasional tormenter. Seamless integration makes it easy to think your way is the right way – and in a sense it is. Because your choices radically impact the way the story plays out, entire sections may not be accessible to you the first time you play through. Fitbit Versa 3īeyond: Two Souls is an incredibly sophisticated game that masquerades as a simple one.
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